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Tough Homicide detective Rick Hunter and his beautiful partner Dee Dee McCall screech tires and chase bad guys around San Diego.
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The title character Sgt. Rick Hunter is a wily, physically imposing, often rule-breaking homicide detective with the Los Angeles Police Department.
The show's main characters, Hunter and McCall, resolve many of their cases by lethal force, but no more so than many other related television dramas.
The show's executive producer during the first season was Stephen J. Cannell , whose company produced the series. Stepfanie Kramer left after the sixth season to pursue other acting and musical opportunities.
In the seventh season, Hunter partnered with two different female officers. The show was initially broadcast in a time slot on Friday night, competing for ratings against the popular Dallas.
The show struggled to attract an audience and drew criticism for its often graphic depiction of violence. In the first season, the producers sought to create a hook by giving the main character a catchphrase, "Works for me", which was sometimes used two or three times in an episode and was even added to the end of Mike Post and Pete Carpenter 's opening theme music.
Several early episodes featured montages set to popular songs from the s, s, and s, in a style similar to Miami Vice.
Midway through the first season, with low ratings still, Cannell gave network chief Brandon Tartikoff a private screening of a two-part episode "The Snow Queen" that had not yet aired, and asked him to give the show more time to attract viewers.
Tartikoff agreed and put the show on hiatus until a better time slot could be found. Two months later, Hunter resumed, this time on Saturday nights, and viewership slowly started to rise.
The first season finished in 65th place. For its second season, Cannell brought in his mentor, Roy Huggins , best known for his work on Maverick and The Rockford Files , to refine the show.
As the new executive producer, Huggins pushed up the violence but softened the main character's fractious relationship with his superiors, dropped a backstory concerning Hunter's family ties to the mob, and emphasized the chemistry between Hunter and McCall.
Huggins also moved the show's setting out of the back streets and into the more desirable areas of Los Angeles.
Emboldened, Dryer and Kramer frequently improvised the scripts, and the Hunter character broke the fourth wall for the first time with an aside to viewers at the end of the episode "The Beautiful and the Dead".
Probably the most memorable aspect to the second season was the two-part episode "Rape and Revenge", which may have drawn from some diplomatic-immunity scandals that were prominent in the news.
A psychopathic foreign diplomat meets McCall and wants to have a relationship with her, and after she declines, he brutally rapes her in her home.
Hunter is badly shot in the shoulder and must recover quickly, then go to the diplomat's home country to dispense justice, Hunter-style.
This episode was considered very controversial for its realistic and shocking depiction of a violent rape, which was not common in TV shows at the time.
Because of the controversial plot and acting, "Rape and Revenge" is one of the most remembered and popular episodes of the series. Another important aspect to the second season was towards its end in the episode "The Return of Typhoon Thompson" , when viewers were first introduced to Hunter and McCall's favorite street informant—the humorous Arnold "Sporty" James, played by Garrett Morris.
Viewers also responded to Huggins' changes, and the show's second season ended in 38th place in the Nielsen ratings. Hunter continued this progress to become a mainstay of NBC's Saturday-night schedule.
In syndication, the season-two introduction was replaced by the season-one introduction. The former showed Hunter entering a women's locker room in one scene, and McCall and him pointing their guns at each other with the bathroom light on in another scene.
Sporty James Garrett Morris , a helpful Police informant, occasionally provided a bit of humor in this action-drama television series.
Hunter was a conventional detective show in most respects, but had an innovation that advanced the genre to new levels: the laws of physics were changed so that when cars crashed, they spiraled upwards at a 45 degree angle.
You could count on this happening at least once per show, and always at the same point in the soundtrack. The only detective series to better Hunter in repeatable phenomena was Mannix, a forgotten show from the 60s.
Not only would a car drive off the same cliff at least once per show, but Mannix would be whacked on the brain stem at the exact same point in the show every week, and display no ill effects.
Or, come to think of it, maybe that was why the dialog was so bad All Titles TV Episodes Celebs Companies Keywords Advanced Search. Sign In.
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But to have power to reclaim your place and get justice for your ancestors is definitely a wish fulfilment. And that's what Hunters became.
Creator David Weil's inspiration for Hunters was bedtime stories of World War II experiences told by his grandmother Sarah, who was a survivor of the Auschwitz camp Birkenau ;  the stories had a long-lasting impact on David because they were about "great good vs.
Despite the attachment of Get Out director Jordan Peele and Weil having an "page bible" of the show written, most buyers were wary of the project and refused to purchase it; the creator suggested that it was due to the series' premise of "a diverse band of 'others' kind of rising up and trying to reclaim power in some way" not being typical in mainstream entertainment.
Amazon Studios head Jen Salke bought the series. Nikki Toscano joined as producer for its ambitious concept: "I think that the juxtaposition of the s New York City with the Holocaust, with some of the levity and the humour, was certainly a challenge for us to balance throughout.
But it was a challenge that I thought was an obstacle worth trying to get over. On May 17, , it was announced that Amazon Video had given the production a straight-to-series order for a first season consisting of ten episodes.
Weil was set to executive produce alongside Jordan Peele , Tom Lesinski, Jenna Santoianni, and Win Rosenfeld.
Weil was also expected to write for the series as well. Production companies involved with the series were slated to consist of Monkeypaw Productions and Sonar Entertainment.
On December 13, , it was reported that Logan Lerman was in talks for a lead role in the series, Jonah Heidelbaum.
The bowling scene was Austin's audition scene as well as the first sequence he filmed for the series, and a continuous shot where his character talks to the congressman before bowling a strike was done within one take.
As David Weil put it, " Hunters is about a group of people who are so rarely portrayed as superheroes" and incorporates iconography to show the Jewish characters as superheroes that reclaim their power; an example is the use of yellow coloring on the costumes and weapons of the hunters as a way to reclaim the color of the yellow badge as the Jews'.
Genre-wise, Hunters is a mix of several styles: "a harrowing remembrance of the suffering of the Holocaust, a satisfying revenge fantasy, a sensational period piece, and a dark comedy," labeled The Verge ' s Joshua Rivera.
For every conversation about justice and vengeance, morality and responsibility, right and wrong, there's a fake ad about spotting Nazis or a dance sequence set to 'Staying Alive.
Fighting individuals who committed serious crimes with actions like violence is a common moral dilemma the titular hunters deal with; Rubinek explained that this was important, as the message of the Jewish folklore of the golem is that "monster which grows violent and protects the Jews, also turns violent inappropriately and has to be put down.
Is Jonah naive and soft for being appalled by the team's tactics? Or is he exercising better moral judgment because he's lived outside the dehumanizing conditions they faced?
References to pop culture are used that relates to this moral conflict; for instance, in a conversation between Jonah and his two friends after seeing Star Wars , Jonah jokingly hypothesizes Darth Vader is after the Jedi rebels because he was raised to believe they would "bomb his parents, behead his friends, kidnap all the hot Galactic chicks for lightsaber orgies.
Vader doesn't get up every day looking to destroy the galaxy. He gets up every morning believing he needs to save it.
To differentiate from most other shows with a historical context that, to Toscano and Weil, felt "like a history lesson," the two went for a "comic book" style, with a mix of shots with "poppy" colors and shots with de-saturated, "grounded" colors; Weil explained that this was meant to present a message that what "seems like comic book" ends up "scintillating[ly] real.
As Film Inquiry describe Hunters ' variety of tones, "for every naturalistic colloquy, there's a bit of sparkle and levity by compiling specious footage usually in the form of a television ad involving the interracial and intergenerational crew of Nazi-fighters.
At one point in episode 3, Logan Lerman breaks out in a musical number. Upon the release of its first season, Hunters received polarizing reviews, with praise for its premise, messages, action sequences, and performances, but criticism for its story-telling, inconsistent tone, pacing, historical inaccuracies, and conclusion.
A favorable review summarized the show as "audacious, tonally complex, not always in control of its message, visually arresting, and, particularly in its grim flashbacks to the brutalities and the courage in the death camps, moving,"  while one of its harshest detractors labeled it "uneven, awkward, "often dull," and "sort of yucky.