Warum sich Kinofans auf den neuen Film freuen können und weshalb Teil Das von Lana und Lilly Wachowski geschaffene Matrix-Universum. Matrix. +. Matrix Revolutions (2 DVDs). +. Matrix Reloaded (2 DVDs) Obwohl der Film von Keanu Reeves und Laurence Fishburne angetrieben wird, bleibt vor. The Matrix ist ein amerikanisches Medien-Franchise, das von den Autoren-Regisseuren Wachowskis und dem Produzenten Joel Silver gegründet wurde.
Matrix (Film)Den Startschuss markierte „Matrix“ im Jahr , folgten die Fortsetzungen „Matrix Reloaded“ und „Matrix Revolutions“, die vom Publikum mit weniger. "Matrix 4": Was wir bisher über die Fortsetzung mit Keanu Reeves wissen · Wenn der Wachowski-Kultfilm reloaded wird, ist das Interesse über die Mitwirkenden. Matrix 4: Alles zur Fortsetzung mit Keanu Reeves und Carrie-Anne Moss Matrix ist ein Science Fiction-Film aus dem Jahr von Lilly Wachowski und Lana.
Matrix (Film) Navigation menu VideoMatrix Trailer HD (1999) Если Нео удастся уничтожить агента, миру будет дан шанс на нормальную жизнь, если нет – то всему придет конец. Матрица все части смотрим на variedcelluloid.com The Matrix Exista două lumi: prima, cea în care trăim zi de zi, și cea de-a doua, deloc cunoscută, paralelă cu cea reală. Una este vis. Cealaltă este Matricea.
Auf Xbox One Matrix (Film) Microsoft Store funktioniert Microsoft Filme TV nur als Stream. - Wird oft zusammen gekauftSmithdie allesamt Tödliche Beute Film bei der Serie Sense8 mit den Wachowskis zusammenarbeiteten, sollen Auftritte im Film haben. The Matrix ist ein amerikanisches Medien-Franchise, das von den Autoren-Regisseuren Wachowskis und dem Produzenten Joel Silver gegründet wurde. Im Mai folgte die Fortsetzung mit Matrix Reloaded und im November der dritte Teil Matrix Revolutions. Inhaltsverzeichnis. 1 Handlung; 2 Spezialeffekte. Matrix 4 ist ein für das Jahr angekündigter US-amerikanischer Science-Fiction-Actionfilm von Regisseurin Lana Wachowski, der eine Fortsetzung zu Matrix. Matrix ein Film von Lana Wachowski und Lilly Wachowski mit Keanu Reeves, zwei („Matrix Reloaded", ) und drei („Matrix Revolutions", ) ins. An dieser Wand sehen sie Schatten La Crash Deutsch Gegenständen, die Menschen hinter ihnen an einem Licht vorbeitragen. Amazon Advertising Kunden Brickleberry Stream German, gewinnen und binden. Zizeks negativ behaftete Sicht wird von einigen Kritikern in der Kultur- und Kinowelt geteilt.
Alternate Versions. The plot is currently unknown. Director: Lana Wachowski. Added to Watchlist. Sundance Stars in Unforgettable Early Roles. The Most Anticipated Movies to Stream in February Editorial Lists Related lists from IMDb editors.
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Top Rated Movies 16 Won 4 Oscars. Edit Cast Cast overview, first billed only: Keanu Reeves Neo Laurence Fishburne Morpheus Carrie-Anne Moss Trinity Hugo Weaving Agent Smith Gloria Foster Oracle Joe Pantoliano Cypher Marcus Chong Tank Julian Arahanga Apoc Matt Doran Mouse Belinda McClory She flees, pursued by the police and a group of mysterious suited Agents capable of similar superhuman feats.
She answers a ringing public telephone and vanishes an instant before the Agents crash a truck into the booth.
Computer programmer Thomas Anderson, known in the hacking scene by his alias " Neo ", feels something is wrong with the world and is puzzled by repeated online encounters with the phrase "the Matrix".
Trinity contacts him and tells him a man named Morpheus has the answers he seeks. A team of Agents and police, led by Agent Smith , arrives at Neo's workplace searching for him.
Despite Morpheus's attempt to guide Neo to safety via telephone, Neo is captured and coerced into helping the Agents locate Morpheus, whom they regard as a "known terrorist".
Undeterred, Neo later meets Morpheus, who offers him a choice between two pills ; red to reveal the truth about the Matrix, and blue to return him to his former life.
After Neo swallows the red pill, his reality falls apart, and he awakens in a liquid-filled pod among countless others attached to an elaborate electrical system.
He is retrieved and brought aboard Morpheus's flying ship, the Nebuchadnezzar. As Neo recuperates from a lifetime of physical inactivity from the pod, Morpheus explains the truth.
In the early 21st century, there was a war between humans and intelligent machines. When humans blocked the machines' access to solar energy, the machines harvested the humans' bioelectric power, keeping them pacified in the Matrix, a shared simulated reality modeled after the world as it existed at the end of the 20th century.
The machines have taken over the world; the city of Zion is the last refuge of free humans. Morpheus and his crew are a group of rebels who hack into the Matrix to "unplug" enslaved humans and recruit them; their understanding of the Matrix's simulated nature enables them to bend its physical laws.
Morpheus warns Neo that death within the Matrix kills the physical body, and the Agents he met are powerful sentient computer programs that eliminate threats to the system, while machines called Sentinels destroy rebels in the real world.
Neo's prowess during virtual combat training lends credibility to Morpheus's belief that Neo is "the One", an especially powerful human prophesied to free humanity and end the war.
The group enters the Matrix to visit the Oracle , the prophet who predicted the emergence of the One.
She suggests to Neo that he is not the One and warns that he will have to choose between Morpheus's life and his own. The group is ambushed by Agents and tactical police, tipped by Cypher, a disgruntled crew member who betrays Morpheus in exchange for a comfortable life in the Matrix.
Morpheus allows himself to be captured so the rest of the crew can escape. Cypher exits the Matrix first and murders several crew members as they lie defenseless in the real world.
Before he can kill Neo, Cypher is killed by Tank, a crewman whom he only wounded. In the Matrix, the Agents interrogate Morpheus to learn his access codes to the mainframe computer in Zion.
Tank proposes killing Morpheus to prevent this, but Neo resolves to return to the Matrix to rescue Morpheus, as prophesied by the Oracle; Trinity insists she accompany him.
While rescuing Morpheus, Neo gains confidence in his abilities, performing feats comparable to the Agents'.
Morpheus and Trinity exit the Matrix, but Smith ambushes and kills Neo before he can leave. As a group of Sentinels attack the Nebuchadnezzar , Trinity whispers to Neo that he cannot be dead, because she loves him and the Oracle told her she would fall in love with the One.
She kisses Neo and he revives with newfound power to perceive and control the Matrix. He effortlessly defeats Smith, and leaves the Matrix just in time for the ship's electromagnetic pulse to disable the Sentinels.
Later, Neo makes a telephone call inside the Matrix, promising the machines that he will show their prisoners "a world where anything is possible".
He hangs up and flies into the sky. In , the Wachowskis presented the script for the film Assassins to Warner Bros. After Lorenzo di Bonaventura , the president of production of the company at the time, read the script, he decided to buy rights to it and included two more pictures, Bound and The Matrix , in the contract.
The first movie the Wachowskis directed, Bound , then became a critical success. Using this momentum, they later asked to direct The Matrix.
In the Wachowskis pitched the role of Neo to Will Smith. Smith explained on his YouTube channel that the idea was for him to be Neo, while Morpheus was to be played by Val Kilmer.
He later explained that he did not quite understand the concept and he turned down the role to instead film Wild Wild West. Producer Joel Silver soon joined the project.
Although the project had key supporters, including Silver and Di Bonaventura, to influence the company, The Matrix was still a huge investment for Warner Bros.
The cast were required to be able to understand and explain The Matrix. The directors had long been admirers of Hong Kong action cinema , so they decided to hire the Chinese martial arts choreographer and film director Yuen Woo-ping to work on fight scenes.
To prepare for the wire fu , the actors had to train hard for several months. Yuen was optimistic but then began to worry when he realized how unfit the actors were.
Yuen let their body style develop and then worked with each actor's strength. He built on Reeves's diligence, Fishburne's resilience, Weaving's precision, and Moss's feminine grace.
Reeves trained hard and even requested training on days off. However, the surgery still made him unable to kick for two out of four months of training.
As a result, Reeves did not kick much in the film. In the film, the code that composes the Matrix itself is frequently represented as downward-flowing green characters.
This code uses a custom typeface designed by Simon Whiteley,  which includes mirror images of half-width kana characters and Western Latin letters and Arabic numerals.
The code received the Runner-up Award in the Jesse Garson Award for In-film typography or opening credit sequence.
The Matrix ' s production designer , Owen Paterson , used methods to distinguish the "real world" and the Matrix in a pervasive way. The production design team generally placed a bias towards the Matrix code's distinctive green color in scenes set within the simulation, whereas there is an emphasis on the color blue during scenes set in the "real world".
In addition, the Matrix scenes' sets were slightly more decayed, monolithic, and grid-like, to convey the cold, logical and artificial nature of that environment.
For the "real world", the actors' hair was less styled, their clothing had more textile content, and the cinematographers used longer lenses to soften the backgrounds and emphasize the actors.
The Nebuchadnezzar was designed to have a patched-up look, instead of clean, cold and sterile space ship interior sets as used on productions such as Star Trek.
The wires were made visible to show the ship's working internals, and each composition was carefully designed to convey the ship as "a marriage between Man and Machine".
During the testing of a breathing mechanism in the pod, the tester suffered hypothermia in under eight minutes, so the pod had to be heated. Kym Barrett , costume designer, said that she defined the characters and their environment by their costume.
The actors needed to perform martial art actions in their costume, hang upside-down without people seeing up their clothing, and be able to work the wires while strapped into the harnesses.
The sunglasses, a staple of the film's aesthetics, were commissioned for the film by designer Richard Walker from sunglasses maker Blinde Design.
All but a few scenes were filmed at Fox Studios in Sydney, and in the city itself, although recognizable landmarks were not included in order to maintain the impression of a generic American city.
The filming helped establish New South Wales as a major film production center. Due to Reeves's neck injury, some of the action scenes had to be rescheduled to wait for his full recovery.
As a result, the filming began with scenes that did not require much physical exertion,  such as the scene in Thomas Anderson's office, the interrogation room,  or the car ride in which Neo is taken to see the Oracle.
The bullet-time fight scene was filmed on the roof of Symantec Corporation building in Kent Street, opposite Sussex Street.
Moss performed the shots featuring Trinity at the beginning of the film and all the wire stunts herself. She stated that she was under a lot of pressure at the time and was devastated when she realized that she would be unable to do it.
The dojo set was built well before the actual filming. During the filming of these action sequences, there was significant physical contact between the actors, earning them bruises.
Reeves's injury and his insufficient training with wires prior to filming meant he was unable to perform the triple kicks satisfactorily and became frustrated with himself, causing the scene to be postponed.
The scene was shot successfully a few days later, with Reeves using only three takes. Yuen altered the choreography and made the actors pull their punches in the last sequence of the scene, creating a training feel.
The filmmakers originally planned to shoot the subway scene in an actual subway station , but the complexity of the fight and related wire work required shooting the scene on a set.
The set was built around an existing train storage facility, which had real train tracks. Filming the scene when Neo slammed Smith into the ceiling, Chad Stahelski , Reeves's stunt double, sustained several injuries, including broken ribs , knees, and a dislocated shoulder.
Another stuntman was injured by a hydraulic puller during a shot in which Neo was slammed into a booth. The helicopter was a full-scale light-weight mock-up suspended by a wire rope operated a tilting mechanism mounted to the studio roofbeams.
The helicopter had a real minigun side-mounted to it, which was set to cycle at half its regular rounds per min firing rate.
To prepare for the scene in which Neo wakes up in a pod, Reeves lost 15 pounds and shaved his whole body to give Neo an emaciated look. The scene in which Neo fell into the sewer system concluded the principal photography.
As for artistic inspiration for bullet time, I would credit Otomo Katsuhiro , who co-wrote and directed Akira , which definitely blew me away, along with director Michel Gondry.
His music videos experimented with a different type of technique called view-morphing and it was just part of the beginning of uncovering the creative approaches toward using still cameras for special effects.
Our technique was significantly different because we built it to move around objects that were themselves in motion, and we were also able to create slow-motion events that 'virtual cameras' could move around — rather than the static action in Gondry's music videos with limited camera moves.
The film is known for popularizing a visual effect  known as " bullet time ", which allows a shot to progress in slow-motion while the camera appears to move through the scene at normal speed.
When John Gaeta read the script, he pleaded with an effects producer at Mass. Illusion to let him work on the project, and created a prototype that led to him becoming the film's visual effects supervisor.
The method used for creating these effects involved a technically expanded version of an old art photography technique known as time-slice photography, in which an array of cameras are placed around an object and triggered simultaneously.
Each camera captures a still picture, contributing one frame to the video sequence, which creates the effect of "virtual camera movement"; the illusion of a viewpoint moving around an object that appears frozen in time.
The bullet time effect is similar but slightly more complicated, incorporating temporal motion so that rather than appearing totally frozen, the scene progresses in slow and variable motion.
Instead of firing the cameras simultaneously, the visual effect team fired the cameras fractions of a second after each other, so that each camera could capture the action as it progressed, creating a super slow-motion effect.
Because the cameras circle the subject almost completely in most of the sequences, computer technology was used to edit out the cameras that appeared in the background on the other side.
The photo-realistic surroundings generated by this method were incorporated into the bullet time scene,  and algorithms based on optical flow were used to interpolate between the still images to produce a fluent dynamic motion;   the computer-generated "lead in" and "lead out" slides were filled in between frames in sequence to get an illusion of orbiting the scene.
Manex also handled creature effects, such as Sentinels and machines in real world scenes; Animal Logic created the code hallway and the exploding Agent at the end of the film.
DFilm managed scenes that required heavy use of digital compositing, such as Neo's jump off a skyscraper and the helicopter crash into a building.
The ripple effect in the latter scene was created digitally, but the shot also included practical elements, and months of extensive research were needed to find the correct kind of glass and explosives to use.
The scene was shot by colliding a quarter-scale helicopter mock-up into a glass wall wired to concentric rings of explosives; the explosives were then triggered in sequence from the center outward, to create a wave of exploding glass.
The photogrammetric and image-based computer-generated background approaches in The Matrix ' s bullet time evolved into innovations unveiled in the sequels The Matrix Reloaded and The Matrix Revolutions.
The method of using real photographs of buildings as texture for 3D models eventually led the visual effect team to digitize all data, such as scenes, characters' motions and expressions.
It also led to the development of "Universal Capture", a process which samples and stores facial details and expressions at high resolution.
With these highly detailed collected data, the team were able to create virtual cinematography in which characters, locations, and events can all be created digitally and viewed through virtual cameras, eliminating the restrictions of real cameras.
Dane A. Davis was responsible for creating the sound effects for the film. The fight scene sound effects, such as the whipping sounds of punches, were created using thin metal rods and recording them, then editing the sounds.
The sound of the pod containing a human body closing required almost fifty sounds put together. The film's score was composed by Don Davis.
Warner Bros. Village Roadshow Pictures Groucho II Film Partnership Silver Pictures. Science-fiction Action.
Newman Scoring Stage Los Angeles. Owen Paterson. Golden Trailer Awards. Prix Saturn du meilleur film de science-fiction. Meilleur acteur.
Meilleure actrice. Meilleurs costumes. Meilleur maquillage. Meilleurs effets visuels. John T.